Friday, September 16, 2011

Book Review: The Abbey (2011)

The Abbey, by first-time author Chris Culver, is one of those less-than-a-buck-from-Amazon-ebooks. I wasn't expecting much. What I got was a taut thriller that, despite a few missteps in the third act, could give Michael Connelly or Jeffrey Deaver a run for their money.

The book opens with Detective Sergeant Ash Rashid heading to the family home of a recent murder victim to deliver the bad news. He's gone through this scene dozens of times before. It never gets any easier--especially now that the victim is his 16-year-old niece, whose body was found in the guest house of one of the city's most wealthy families.

Ash, who happens to be Muslim, left homicide some time before (his back story is hinted at and would make an interesting story on its own) but is fed information about his niece's case from an old partner. When the head of the homicide division closes the case with a resolution that's a bit too neat for Ash to stomach, he opens his own off-the-books investigation revealing crooked cops, a vampire club that may be a front for a drug den, and a crazed doctor who takes a personal interest in Ash.

Culver does a good job of fleshing out Ash as more than just a cop, but as a devoted husband and father and a semi-devout, but trying, Muslim. Ash is constantly at odds trying to balance his faith with what he must sometimes so to get through his days on the job. He's a person with real flaws that don't hinder his work and home life, but do hint at a darker future.

The book moves at a fairly brisk and believable pace for the first two acts. In the third, things falter as the story begins to fold under the weight of its subplots becoming a bit convoluted and wrapping up the main action a little too neatly.

The main selling point of The Abbey is the writing. The Abbey, like the best books in the genre, isn't lyrical--the writing is crisp and efficient, making it easy to fall into and travel with the story.

The Abbey is an impressive debut novel. It's proof that, perhaps, some of the more interesting new writers are eschewing the traditional publishing model for self-distribution.

I'm looking forward to Cullver's follow-up (supposedly featuring the same characters), which is due out later this year.

Buy The Abbey for the Kindle

New to Theaters: 9/16/2011

Major releases this week include:

Drive
Directed by Nicolas Winding Refn
Starring: Ryan Gosling, Carey Mulligan, Bryan Cranston

Although, at first glance, it looks like a movie that might star Nicholas Cage in his post-Oscar action picture cash grab or as a soon-to-be cancelled series on Fox, Drive--starring Ryan Gosling as the Driver--is getting great reviews.

Gosling stars as an stuntman who spends his evenings as a getaway driver for armed heists. When his boss (played by Bryan Cranston of "Breaking Bad") gets in over his head to the local tough guys, the Driver gets involved with one of those "big score" jobs that define movies like this.

Rotten Tomatoes Rating: Very Fresh (sitting at 93%)




I Don't Know How She Does It
Directed by Douglas McGrath
Starring Sarah Jessica Parker, Pierce Brosnan, Kelsey Grammer

I read this book! I didn't care for the story much, but the writing was great so.... That doesn't help us here, does it?

Sarah Jessica Parker takes time off from looking disappointed with Matthew Broderick and lobbying for Sex in the City 3: Nudist Colony to star as Kate, a 30-something (who's SJP kidding?) wife, mother, and financial analyst. To the rest of the world, Kate looks like the perfect everything, but she's drowning in a sea of her own stress. It's supposed to be a comedy. I think.

Rotten Tomatoes Rating: Really Rotten (20% as of this writing)





Straw Dogs 
Directed by Rod Lurie
Starring James Marsden, Kate Bosworth, Alexander Skarsgard

The original Straw Dogs (1971; directed by Sam Peckinpah) is one of the more challenging movies I've ever seen. Love it or hate it, it uses violence deliberately to challenge the viewer's ideas on morality and vengeance. It's a film that every burgeoning movie buff should seek out.

That's why this remake puzzles me. There's absolutely no need for it. I'll acquiesce that there's little need for most remakes, but this one befuddles me. Peckinpah's film is near perfect and Dustin Hoffman, in the main role as a timid man pushed over the edge, is absolutely brilliant. I just don't buy that this version, from the director/writer of the short-lived TV series "Commander in Chief" (remember? Geena Davis as the first female President?) and starring the hot vampire from "True Blood", will be much to remember. I sort of hope I'm wrong. The premise alone deserves a storyteller's respect and I would hate for a younger generation to know it only through a deflated remake.

Rotten Tomatoes Rating: Rotten (Turns out I'm not wrong. Rent the original.)